Us and Them (Blindn)
illustration
There is an invisible revolution going on right now and the old ways are being uprooted by a new generation of artists through social media. 10 years ago, it was practically impossible to get exposure to a vast international audience without being sponsored by a high profile company.
Never before have we lived in a time where artists have an even playing field against the more privileged. Talent is finally becoming the backbone of success rather than nepotism. Money is irrelevant. Vision now has the power to go viral.
We are entering an era of "artistic equality" among the creative stratosphere. Follow us to see how we support and document one of the most important coming of age art revolutions in history.
Never before have we lived in a time where artists have an even playing field against the more privileged. Talent is finally becoming the backbone of success rather than nepotism. Money is irrelevant. Vision now has the power to go viral.
We are entering an era of "artistic equality" among the creative stratosphere. Follow us to see how we support and document one of the most important coming of age art revolutions in history.
There is an invisible revolution going on right now and the old ways are being uprooted by a new generation of artists through social media. 10 years ago, it was practically impossible to get exposure to a vast international audience without being sponsored by a high profile company.
Never before have we lived in a time where artists have an even playing field against the more privileged. Talent is finally becoming the backbone of success rather than nepotism. Money is irrelevant. Vision now has the power to go viral.
We are entering an era of "artistic equality" among the creative stratosphere. Follow us to see how we support and document one of the most important coming of age art revolutions in history.
Never before have we lived in a time where artists have an even playing field against the more privileged. Talent is finally becoming the backbone of success rather than nepotism. Money is irrelevant. Vision now has the power to go viral.
We are entering an era of "artistic equality" among the creative stratosphere. Follow us to see how we support and document one of the most important coming of age art revolutions in history.
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Behind the Scenes and Everything else Inbetween (Jack Hudson)
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I Met The Walrus - Directed by Josh Raskin Illustrations by Alex Kurina
In 1969, a 14-year-old Beatle fanatic named Jerry Levitan, armed with a reel-to-reel tape deck, snuck into John Lennon’s hotel room in Toronto and convinced John to do an interview. This was in the midst of Lennon’s “bed-in” phase, during which John and Yoko were staying in hotel beds in an effort to promote peace. 38 years later, Jerry has produced a film about it. Using the original interview recording as the soundtrack, director Josh Raskin has woven a visual narrative which tenderly romances Lennon’s every word in a cascading flood of multipronged animation. Raskin marries traditional pen sketches by James Braithwaite with digital illustration by Alex Kurina, resulting in a spell-binding vessel for Lennon’s boundless wit, and timeless message.
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“Love Struck Salvage Bot” (John Powell)
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“The Vine” (Carne Griffiths)
It’s about alcoholism, drawn in ink and alcohol, vodka, brandy, whisky
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“Marty McFly” (Rich Pellegrino)
